It also had the effect of bolstering Snoop's profile across popular culture he would land on major magazine covers throughout the year. In 1993, Snoop was charged with first-degree murder after a member of a rival gang was shot and killed by Snoop's bodyguard, McKinley Lee, (aka Malik.) The incident would spark a media frenzy around the rapper adding to his notoriety but also fueling criticism of his lyrics and image. By mid-1993, The Chronic was double platinum.Īnd Snoop Doggy Dogg was prepping his own solo debut. "Dre Day" followed "G Thang" into the Top Ten on Billboard's Hot 100. He showed up again prominently on the second single from The Chronic the Eazy-E (and Uncle Luke) diss track "(Fuck Wit) Dre Day (And Everybody's Celebratin'.)" Commonly referred to as simply "Dre Day," the song featured Snoop and Dre taking aim at Eazy and Luke, with Death Row vocalist Jewell providing some stunning backing vocals on the outro. Snoop's quantum leap to the big stage was almost a foregone conclusion. Dre was serving almost as emissary to the rise of Snoop Doggy Dogg. But it was clear to anyone who was listening that this lanky guy from Long Beach was being primed to be Death Row Records breakout star. Snoop appears on no less than nine of the album's tracks, sometimes as sidekick, sometimes a s scene-stealer, sometimes just contributing a hook. Snoop and the new wave of West Coast artists that Death Row and Dre had assembled were given plenty of room to shine on the album. Dre's solo debut became the album that defined the first half of 1993, with Snoop Doggy Dogg's star on the rise. The Chronic dropped in mid-December 1992, and Dr. But at barely 21 years old, Snoop Doggy Dogg was now on the hottest song in America. In the early 2000s, 50 Cent had the benefit of internet buzz and as for Nas, he was The Chosen One amongst East Coast rap circles, but hadn't really had the kind of national hit that would make a mainstream star prior to his release of Illmatic. Even before the album's release, Snoop was becoming the most famous newcomer in rap. "'G' Thang" wound up being a monster hit for Death Row, and it sent anticipation for The Chronic to a fever pitch. Snoop was growing both as an artist and as a star coming under the tutelage of The D.O.C. And the first single arrived in early fall: a G'd up take on Leon Haywood's "I Want A Do Somethin' Freaky To You." The song was called "Nuthin' But A 'G' Thang" and it once again prominently featured Snoop rapping alongside Dr. The buzz around "Deep Cover" built anticipation for Dr. Released in early 1992, "Deep Cover" let the world know that Snoop Doggy Dogg was coming. His memorable "1-8-7 on a undercover cop" hook was delivered in his uniquely melodic drawl, and it was the first shot in what would be a decades-long run. Snoop Doggy Dogg made his debut on the soundtrack for the gritty crime drama "Deep Cover," and the song stood out because of Snoop's laconic-but-menacing style. In this kid Calvin, who called himself "Snoop," Dre had a new protege with the distinctive flow and undeniable charisma to become a major star. In launching the new Death Row Records with Suge Knight, Dick Griffey and former Ruthless artist The D.O.C., Dre was kickstarting a solo career and laying the groundwork for an empire. Dre was famously defecting from his old group N.W.A. Warren was Dre's stepbrother, and the connection that was made would alter the course of all three men's lives and career. Calvin Broadus was a native of Long Beach, CA who was introduced to superproducer Dr.
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